Nikon lens for macro photography12/18/2023 ![]() This is a true macro lens, with a 1:1 reproduction ratio.But, it could be picked up when recording video. It’s soft enough that I would still use this lens for weddings. The autofocus motor also has a slight hum to it. The autofocus needs to be placed on the edge of dark objects that don’t have a lot of contrast to them. The autofocus also had some difficulty focusing on a solid black coffee mug (unsurprising based on my previous experience with the Z bodies). I was also still able to get most of the shots of my toddler in focus, even though he rarely sits still. There won’t be a long, awkward pause if you are using this as a 105mm portrait prime, for example. ![]() Thankfully, the autofocus is quicker when focusing on subjects farther away. This is long enough that I think I would have been frustrated if I were trying to take pictures of bugs instead of stationary snowflakes. But, if you are focusing right at that 1:1, it takes a few seconds to lock in, even with the focus limited to the closest range. Using the focus limiter switch helps some. When Feroz Khan compared this lens to the F-mount 105mm, he wasn’t 100 percent convinced that there was a significant performance improvement on the mirrorless version. Often, the lens felt like it was going through the entire focal range before locking on my subject. While the lens can focus close, it takes its time getting there. And, true to form, I was able to get quite close to snowflakes, water droplets, and jewelry. The Nikon Z 105mm macro can focus as close as. Fellow Phoblographer Feroz Kahn took this lens out in opposite conditions - a windy desert - and didn’t have any issues with sand getting onto the sensor or inside the lens. Then, when the snow started melting off the roofs, I did some macro splash photography, and the lens was unfazed when hit by the moisture. It doesn’t feel bad, and I’d probably prefer the lighter weight over the tougher material in a lens this size.ĭespite the feel, I didn’t have any issues shooting with this lens in the snow. So while it feels like the materials are a little cheaper than some of the priciest S optics, the trade-off is a lighter lens. This, however, is likely the reason why the lens is lighter than it looks. Towards the mount, it feels a bit more like metal, while the remainder of the barrel feels more like plastic. ![]() The plastic by the buttons feels different, while the material closest to the mount feels like the familiar material of other S lenses. The Nikon Z 105mm f2.8 VR S has a bit of a different feel to it compared to some of the other S lenses. (140 mm), Distance to end of lens from camera lens mount flange, Based on CIPA guidelines Focus limit switch with two positions: FULL (∞ to 0.29m) and 0.5m to 0.29m.Lens shift using voice coil motors (VCMs).VR (Vibration Reduction) Image Stabilization: Yes.Maximum Angle of View (FX-format): 23☁0′.Maximum Angle of View (DX-format): 15☂0′.Nikon lists the following specifications for the 105mm Macro: Nikon says the lens uses a multi-focus system and is designed to reduce chromatic aberration. ![]() It brings some of the features that I’ve loved about the S series of lenses into extreme close-up territory. The Nikon Z 105mm f2.8 VR S is the first macro Z mount with a 1:1 reproduction ratio. I used the Nikon Z 105mm f2.8 VR S with the Nikon Z7 II. Build feels a little more plasticky than other S series lenses.At 1:1, the widest possible aperture is f4.5.Macro focusing often requires some hunting. ![]()
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